
Key Illustration for the Royal Theatre
Client
The Royal Danish Theatre
Industry
Arts & Culture
Services
Animation
Illustration
Awards
Creative Circle 2025 Winner
Craft / Illustration
One of the most retold stories in theatre. A character so familiar it arrives with its own set of expectations - and its own visual baggage. The challenge wasn't to illustrate Pinocchio. It was to make an image that felt like this production, and no other.
We worked in close collaboration with the Royal Danish Theatre across a series of sketches, refining until the illustration found its own character. Bold enough to own a poster. Considered enough to carry the production's intent. The final result ran across website, posters, digital Decaux placements and Instagram ads, with an animated looping version made for digital formats.
The brief pointed toward a particular kind of balance. This Pinocchio was a more poetic retelling — aimed at older children, but not a children's illustration in the usual sense. The image needed enough darkness to signal that, without closing the door on the warmth that makes the story worth telling.
Intrigue was the operative word. Pinocchio himself stays recognisable from a distance — that familiarity was an anchor, something to hold onto. Around him, the surrounding cast of characters and a careful handling of light build the world outward. Not explained, just present. The kind of image that rewards a second look.





Art Director
Ander Fogh Richardsen (The Royal Danish Theatre)
Illustration
Hannah Genzmer
Sigurd Norsahl
Esben Fisker
Client lead
Caroline V. Lundholm Madsen

